status and power
Sampson-> white educated racist member if the british way, alot of power. "islamaphobic"
Camerwork -> low angle over the shoulder. handheld camera follows the characters gives the feeling that your there with them, give a raw footage suggest they are not a well co-ordinated organisation. give a realistic feel
M-e-s -> costume facial expression passes himself off as very fierce because he is the publics voice. He brainwashes the audience shows he has power. the lighting is very doul dark and shadowy this exposes the distressing atmosphere and the gridness of life n the estate, reflecting the rawness of the estate.
Sound -> script anger, power exerted on the audience.
Editing -> cross-cutting in the inside he's rhetoric and on the outside we see violence we can see that the he is lying , audience are positions distrust him , pace of the editing is different between the two different seen there is a very fast edit on the estate scene creating a panicky atmosphere. The viewers mind begins to start to make the link.
they have a positive status, the are potrayed to be the heros that protect us, binary opposite which are two different things that drive the plot forwards they are binary opposites of the british way.
shot reverse shot, tracking, eyeline match.
crowd unexpectedly they are made f older people women and normal class, because we konw where they are from they disadvantage some maybe on benefits. we see them being manipulated by the politician. the straight cuts of the medium shot give us a sample of the people that he's representing as h talks about being their voice.
Ethnic minority-> they are being presented as victims they are at the bottom of the ladder. They don't have a voice. They get dragged out the car. cuts to a profile shot of the asian victim cornered by four thugs and this makes the audience sypathise with him.
Sound-> non-diegetic, swishing sound highlight the cuts created a jumpy tense view.
